Jun 022014
 
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One of the questions beginning writers ask us most often is: “How do you know if you have captured the love in your characters’ lovemaking, and aren’t just writing a run-of-the-mill sex scene?” To answer that question, twelve writers offer their own thoughts and advice in this unique WriteSex Author’s Roundtable. Each Monday a well-known romance author will discuss the difference between a sex scene and a love scene, and show us how to charge an erotic encounter with romance. Look for personal insights and how-to tips from our participants in this first ever WriteSex Authors’ Roundtable. —Ed.

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By Sally Swanson

In the not-so-distant past, erotic stories favored male readers and relegated women to the role of Object of Desire, rather than characterizing them as sentient and sensual beings. The comparatively new genre of erotic romance, however, empowers women to be in control of their bodies, their hearts, and most importantly their desires.

Erotic romance is hot and graphic, letting instincts run over the conventions of polite society. This titillating variation on the time-honored romance novel intertwines sex with romance as a tool to advance the storyline. The style is provocative—what some would call naughty.  Initially, a reader who is not familiar with the genre could perceive the sex scenes as gratuitous, yet they are integral and meaningful to the story. A good erotic romance author will share their characters’ feelings and insights before, during, and after sexual encounters—sharing intimate knowledge of their most fiercely guarded secrets.

Today’s heroine has a career and daily challenges, and these common experiences resonate with the reader. She is independent and accepts her sexuality, whether she is with a man or another woman—and no matter how dominant, submissive or versatile she likes her partners, she’s willing to go out and find them if need be. She takes charge of her life, unlike the traditional swooning, gothic heroine found in many romance novels, waiting for her One True Love to come and rescue her. Erotic heroines don’t have time for that. Their lives are often hectic and overbooked—qualities which, for some characters, some in handy as excuses to avoid intimacy.

Having sex isn’t nearly as intimidating as falling in love, and the heroine shares her subversive emotions of insecurity and doubt. The pain of love lost, unrequited love or a past relationship gone wrong can sully her ability to trust a new love interest (or indeed anyone), and drive her behind a shield of indifference. However, true love is the strongest force known to humankind and energizes even the most jaded soul. Being in love makes her vulnerable and strong at the same time.

With a variety of characters, the reader can see themselves in the participants or be a voyeur; in either case, that connection creates a bond with the characters and keeps the reader engaged. Women and men can enjoy erotic romance, and a well-written novel shares a variety of their perspectives. Erotic romance blends hedonistic sex scenes with tender passion, and the combination sizzles on the page. The reader feels this heat right alongside the characters as their growing tension tightens into tingling awareness. Wanton hedonism takes charge, revealing the core of their carnal desire and tender emotions to the reader—and together, they experience ultimate satisfaction.

But erotic romance doesn’t end with an orgasm—sometimes it begins with one. The heroine continues to battle antagonistic forces until love triumphs. Sometimes the heroine and her lover will decide that their future is together; sometimes one of them will move on. Either way, love unearths the most hidden and vulnerable aspects of the heroine and allows her to grow stronger from the experience—a “happily ever after” ending in its own right. In the end, she emerges confident and courageous.

Erotic romance empowers women to be the heroines of their own lives.

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Sally Swanson is the author of the Soul Desire trilogy and the Ghost Lovers series. When she was twelve, she started to write her life story and realized she needed to live life before launching a writing career. To that end, she’s lived in or visited 46 of the 50 states and learned to speak Spanish while living in Mexico City, Costa Rica, and Puerto Rico. If you haven’t yet guessed, she loves to travel—and, while doing do, she discovers strange-yet-true stories to provide fuel for Ghost Lovers, her latest paranormal romance series. If you like ghosts and steamy sensuality, you will love Ghost Dreams and Ghost Emerald, now available in multiple e-book formats.

 

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Mar 132014
 
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By P.M. White

Often, a quick scan on Amazon’s selection of erotica reveals one very hard-to-miss fact: there are a lot of women writing in the genre these days. You’ll also notice dozens of author names which obscure or mask the author’s gender. It’s always refreshing to see a new name—be it male, female or tbd—enter the erotic fray, and many of my favorites write from the female perspective—which they do, mostly, because they’re female writers.

There are, of course, the popular male writers: authors like the incredible Maxim Jakubowski, the awesome M. Christian, Terrance Aldon Shaw and others, not to mention age-old standbys like Vladimir Nabokov and Marquis de Sade, each providing their own unique voice to the genre.

And, few in number though they may appear to be, there are also contemporary and emerging male erotica writers out there. I’m one of them. And whether I want to admit it or not (and I must, since I’m writing this piece), I do occasionally pay attention to gender when it comes to my peers in the field. Having written erotica since 2008, my attention to others in the industry led to a number of conclusions.

For one, the illustrious golden goose is a shy little thing for writers seeking a payday in sexy literature, no matter one’s gender. For another, we male writers might almost be an endangered species when it comes to an apples-to-apples head count. This isn’t to say there isn’t a good sampling of male blood in the field. In fact, there may be more male writers than some might think.

According to author Gregory Allen, some male writers actually pen under a female pseudonym due to their fear that a masculine name might alienate readers.

“I’ve heard people say they prefer the way men write and I’ve heard people say they prefer the way women write,” he said. “I’m surprised when I hear people voice a preference like that. Short of reading every book ever written, a person can’t really say they don’t like the way women write men or the way men write women without making unfair judgments about a lot of authors. I know there are male writers who use female pen names for fear of alienating readers who prefer female authors. I don’t begrudge any writer trying to gain readers. Readers are gold. Writing is a lonely life. I used to hear that and think it was because writers are alone when they write, but now I think it’s because writers communicate intimately with a blank page.”

Allen, who specializes in female domination erotica, wrote in other genres for a number of years before turning to stories that focus on romantic, monogamous, female-led relationships.

Allen said. “When I started, I realized I had already sculpted my ideal mistress from my own fantasies in Kimberly, from Courting Her and Serving Her.”

Allen makes it a point to shut out gender stereotypes when he’s writing.

“I avoid considering my characters as male or female. I think of them as individuals, who obviously are male or female, but that subtle shift in how I think of them enables me, I think, to keep gender stereotypes out of my writing. I’m not obligated to keep my female characters ‘like’ other women, or my male characters ‘like’ other men. That frees me to focus on creating characters who feel authentic and unique, at least to me, and then I can hope readers find them to be, as well,” he said.

Author Willsin Rowe, meanwhile, got his start in erotica after he joined a project designed to mass-produce books and graphic novels. He was brought on board to produce horror stories with an edge of black comedy, but soon learned of another group on board the project tasked with producing erotic romance.

“Then, a matter of months later, I found out about a contest to write an erotic romance story. I submitted mine, and was lucky enough to win. That scored me a contract with a small publisher, and I’ve grown upward and outward from there,” Rowe said.

He describes his own work as “gritty romance.”

“It doesn’t always fit into the capital-R Romance category, but I strive to make the connections intense and rewarding,” he added.

A big difference between male and female writers of erotica, Rowe said, are descriptive terms.

“Being lateral and literal creatures, we males often write erotic scenes from a sequential, and even geographical point of view, I think. So, we’ll often spend time describing what appeals to us, which may not be the same as what appeals to a female writer,” Rowe said. “For example, a male writer may focus on the sweet way that fulsome breasts wiggle when we make a woman laugh, whereas a female writer may take that same moment and describe the twinkle in his eye as he delivered the witticism.”

Rowe said there are likely more female readers than male readers interested in erotic fiction at the moment.

He said, “All the anecdotal evidence I’ve seen tells me there’s a far higher contingent of female readers than male. And where one perspective is chosen, it’s more commonly the female. I believe that, for the most part, men are more interested in reading female POV (point of view) than women are in reading male POV. At least as far as erotica and erotic romance are concerned.”

No matter what, Allen said, writers need that human-to-human contact to grow in their craft.

“So many of us are aching for that, or asking for more of that, because a gap always exists in communication, but especially when the communication is so delayed as it is between writer and reader. But, for me, the opportunity to reach someone who thinks only female authors can be romantic or can create authentic-seeming female characters is too tempting. It’s bigger than me or my books, and if someone whose mind isn’t made up about male authors—which must be the case if they’re giving me a chance—feels differently about them after reading me, then that may be worth sacrificing a wider audience.”

Is it harder these days to be a male author these days? Rowe offered a resounding yes.

“I do think it’s harder, but it’s probably one of the softest kinds of hard you’d ever find,” he said. “We’re basically facing an automatically reticent general buying public by remaining male (as opposed to taking on a female pen name). I’ve had more than one woman tell me (without having read my work) that they don’t enjoy male-penned erotica. But as I say, it’s a pillow-like hardness. We’re not fighting for emancipation or civil rights, here.”

There are benefits as well, he added.

“It’s easier to stand out in people’s minds when you’re part of a subculture,” Rowe said. “First, there’s the physicality. I’m 6’ tall, 200 lbs, shaven-headed; I play in a band and ride a motorbike. I don’t look like most erotica/romance authors. But more than that, there’s the rather low bar that has been set by some members of the male gender. In real life and online, I’m polite, respectful and complimentary. Adding a Y-chromosome to those characteristics seems to make a world of difference.”

 

About Willsin Rowe
Willsin Rowe is the author of Submission Therapy, as well as a number of other titles co-authored with author Katie Salidas, including Occupational Therapy, Immersion Therapy and others. For more information, visit his website at willsinrowe.blogspot.com or find him on Facebook and Twitter.

 

About Gregory Allen
Author Gregory Allen can be found on Facebook and FetLife, as well as on Twitter @GregoryAllenPF. He’s the author of Courting Her, Protege Mistress, and Serving Her ­– all published by Pink Flamingo. He’s also the author of Bottoms in Love, published by 1001 Nights Press.

 

About P.M. White
Writer P.M. White has toiled on a number of sexy stories over the years, including his newest novella Volksie: A Tale of Sex, Americana and Cars from 1001 Nights Press. His previous publications include the Horror Manor trilogy from Sizzler Editions: Eyeball Man, Desire Under the Eaves, and You are a Woman. White’s short stories have appeared in Sex in San Francisco, The Love That Never Dies, Bound for Love, Pirate Booty and many others.
For more information, visit him on Tumblr at pmwhite.tumblr.com, at his Amazon author page, on Twitter @authorpmwhite and on Facebook.

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